On November 5, 2025, Dr. Ben Carson—former U.S. Secretary of Housing and Urban Development and 2016 Republican presidential candidate—visited Utah Valley University for a public interview hosted by the Gary R. Herbert Institute for Public Policy. Speaking under heightened security and solemn campus atmosphere, Carson addressed themes of civic responsibility, personal legacy, faith, and national unity. He emphasized the power of prayer and resilience in times of division, and honored the late Charlie Kirk, calling him “an incredible person” and “the antidote to radical leftism.” For Charles-McClintock Wilson, this marked the first time documenting a major political figure at UVU since the fatal shooting of Charlie Kirk on September 10, 2025, during his American Comeback Tour. The Carson interview signaled a quiet but resolute continuation of civic engagement at a campus still navigating grief, reflection, and institutional healing.

On October 18, 2025, demonstrators assembled across Salt Lake City, Utah—including the grounds of the Utah State Capitol—to reject the aesthetics of dominance and the symbolic drift toward executive spectacle. Though the protest targeted the presidency of Donald Trump, the phrase “No Kings” operated metaphorically, critiquing posture rather than lineage. Participants moved through civic corridors with measured choreography. Placards, chants, and silent gestures threaded a collective refusal of unchecked authority and personality-driven governance. The Capitol’s neoclassical architecture served as both backdrop and counterpoint—echoing the very hierarchies being challenged. This gallery documents the event with editorial restraint. Each image captures the perimeter of dissent—its symbols, its gestures, its quiet consequence. The coverage does not interpret. It witnesses. Images are presented without caption to preserve editorial neutrality and symbolic clarity.

On October 10, 2025, demonstrators gathered at the Utah State Capitol in Salt Lake City to voice support for Palestine amid escalating global tensions. The rally drew a diverse crowd of participants, advocates, and observers—each threading urgency, solidarity, and symbolic presence into the public square. This sequence, photographed by Charles-McClintock Wilson, documents the exterior movement surrounding the Capitol grounds, including signage, civic choreography, and unscripted moments of protest. The images explore themes of visibility, restraint, and editorial consequence—threading public tension into the symbolic record.

President Russell M. Nelson, leader of The Church of Jesus Christ of Latter-day Saints, died at his home in Salt Lake City, Utah, shortly after 10 p.m. MDT on September 27, 2025, at the age of 101. A world-renowned heart surgeon and medical researcher, Nelson served in the U.S. Army Medical Corps during the Korean War and performed Utah’s first open-heart surgery in 1955. He was sustained as the Church’s seventeenth president in 2018 after serving 34 years in the Quorum of the Twelve Apostles. On October 6, 2025, members of the public gathered at the Conference Center in Salt Lake City to pay their respects. This sequence, photographed by Charles-McClintock Wilson, documents the exterior perimeter of the venue, including public movement, security choreography, and civic infrastructure. The images explore themes of visibility, reverence, and editorial restraint—threading symbolic presence into the public record.

On September 15, 2025, demonstrators gathered outside the Utah Valley Convention Center in Provo, Utah, to protest the Department of Homeland Security’s career expo. As federal and local agencies recruited law enforcement and security personnel inside, protestors outside voiced concerns over immigration enforcement, surveillance practices, and the militarization of public safety. The gallery documents moments of civic expression, symbolic resistance, and the spatial tension between institutional authority and public dissent.

On September 15–16, 2025, the U.S. Department of Homeland Security hosted a career expo in Provo, Utah, drawing hundreds of applicants amid heightened national tension. Flush with nearly $30 billion in federal funding, ICE aimed to rapidly expand its workforce—offering signing bonuses up to $50,000 and student loan forgiveness up to $60,000. The event was part of a broader recruitment surge under President Donald Trump’s immigration crackdown. This visual sequence, captured by Charles‑McClintock Wilson, documents the exterior perimeter of the expo: DHS agents stationed outside the Utah Valley Convention Center, federal vehicles lining the streets, and the quiet choreography of institutional presence. While reporters were barred from entering the venue, these images offer a restrained yet symbolic view of how federal power performs visibility in civic space. Through editorial clarity and dignified framing, the sequence explores themes of surveillance, recruitment, and public memory—without spectacle. This is not just documentation. It’s legacy authored at the threshold of federal expansion.

In the quiet aftermath of Charlie Kirk’s final public appearance at Utah Valley University, a spontaneous memorial unfolded—unannounced, uncurated, yet deeply intentional. This gallery documents the gestures left behind: folded flags, handwritten tributes, flowers placed with reverence. Each image captures not just grief, but the choreography of civic mourning. Through symbolic framing and editorial restraint, the sequence invites viewers to witness how public memory is shaped—not by spectacle, but by silence, dignity, and the objects we choose to leave behind.

On September 10, 2025, Utah Valley University hosted the opening stop of Charlie Kirk’s American Comeback Tour—a campus event designed to reignite civic engagement, youth mobilization, and direct discourse. These images document the atmosphere as it was intended: energized, expressive, and deeply personal. Every frame is presented as captured—unaltered, unembellished, and editorially authentic. Supporters gathered in red hats and bold slogans, staff coordinated logistics, and attendees arrived with curiosity and conviction. This sequence reflects the spirit of the event before the stage was taken—a visual record of presence, community, and the emotional clarity that defined the day.

On September 10, 2025, Charlie Kirk appeared at Utah Valley University for a scheduled public event. These images document his final moments of engagement with supporters—captured just before the shooting incident that disrupted the gathering and reshaped its meaning. As a photojournalist, I approach this sequence with editorial clarity and symbolic intent. But I also recognize the human weight of what occurred. This post is not a spectacle—it is a record. And with it comes deep sympathy for Charlie Kirk’s family, his supporters, and the country navigating the aftermath of this tragedy. Charlie Kirk was a polarizing figure, but he was also a deeply committed one. He built a national movement by engaging young people, challenging institutions, and speaking with conviction. In these final frames, we see him doing what he did best—connecting directly with his audience, energizing a crowd, and standing firmly in his beliefs. The images reflect a moment of civic energy, personal conviction, and direct engagement. They are presented to honor the public memory of what came before, and to acknowledge the loss that followed.

Tucked in the mountains of Summit County, Smith & Morehouse Reservoir is a peaceful spot full of life and activity. I recently spent the day documenting the simple beauty of people enjoying summer — paddleboarding, kayaking, fishing, and soaking in the scenery. These are the kinds of quiet moments I love to capture: real, unposed, and full of story.

Each year on July 4th, the streets of Provo, Utah, come alive with color, sound, and community pride. As the centerpiece of America’s Freedom Festival, the Grand Parade draws thousands of spectators to witness a vibrant display of patriotism — with marching bands, restored military vehicles, costumed reenactors, floats, and local heroes. This series captures the atmosphere of the 2025 parade — moments of joy, remembrance, and shared identity — as experienced through the lens of photojournalist Charles-McClintock Wilson. These images pay tribute to the traditions, stories, and values that continue to define the American spirit.

Held annually in Nephi, Utah, Juab Xtreme Racing brings together motocross athletes and thrill-seeking spectators for a high-octane showcase of skill, speed, and grit. This collection captures the energy of the dirt arena — from airborne stunts to candid crowd moments — through the lens of photojournalist Charles-McClintock Wilson. These images document not only the race, but the spirit of small-town competition, community pride, and the raw intensity of American motorsport.

This collection highlights the presence, professionalism, and everyday reality of first responders across the United States. From police officers and their patrol vehicles to firefighters, paramedics, and ambulances in motion — these images document the quiet vigilance and urgent response of those who serve and protect. Through his lens, Charles-McClintock Wilson captures not only the symbols of public safety, but the people behind them.

At the heart of every image is a story. This series captures candid moments, quiet expressions, and everyday interactions—highlighting the resilience, emotion, and individuality of people in their environments.

A visual exploration of America’s urban spaces — from aerial perspectives to everyday street scenes, capturing the scale, structure, and rhythm of city life.

This collection documents the architectural presence and symbolic resonance of civic institutions across the United States. From courthouses and city halls to universities, federal buildings, and public service signage—these images reflect the infrastructure of governance, education, and community identity. Through his lens, Charles-McClintock Wilson captures not only the facades and emblems of civic life, but the enduring narratives they represent: authority, access, memory, and belonging.

In this series, Charles examines modern commerce through architectural forms—its signs, storefronts, and patterns that connect people to services, routines, and consumer culture.

From quiet desert roads to mist-covered mountains, this collection captures the raw beauty and quiet power of the natural world. Through his lens, Charles explores landscapes both grand and intimate—inviting viewers to pause, breathe, and witness the stillness in between moments.

Movement shapes the rhythm of daily life. This series captures the vehicles, roads, and infrastructure that connect people and places—from rural highways to city intersections—offering a visual study of motion, design, and the human need to keep going.

From national monuments to cultural touchstones, this collection highlights iconic locations that shape local identity and reflect the spirit of place. Captured with honesty, context, and a documentary eye.