No Kings Protest in Salt Lake City – News

This collection documents the architectural presence and symbolic resonance of civic institutions across the United States. From courthouses and city halls to universities, federal buildings, and public service signage—these images reflect the infrastructure of governance, education, and community identity. Through his lens, Charles-McClintock Wilson captures not only the facades and emblems of civic life, but the enduring narratives they represent: authority, access, memory, and belonging.

Held annually in Nephi, Utah, Juab Xtreme Racing brings together motocross athletes and thrill-seeking spectators for a high-octane showcase of skill, speed, and grit. This collection captures the energy of the dirt arena — from airborne stunts to candid crowd moments — through the lens of photojournalist Charles-McClintock Wilson. These images document not only the race, but the spirit of small-town competition, community pride, and the raw intensity of American motorsport.

Tucked in the mountains of Summit County, Smith & Morehouse Reservoir is a peaceful spot full of life and activity. I recently spent the day documenting the simple beauty of people enjoying summer — paddleboarding, kayaking, fishing, and soaking in the scenery. These are the kinds of quiet moments I love to capture: real, unposed, and full of story.

In this series, Charles examines modern commerce through architectural forms—its signs, storefronts, and patterns that connect people to services, routines, and consumer culture.

SALT LAKE CITY, UTAH, USA — On November 22, 2025, Billie Webb and Brandi Siciliani recorded an episode of The Brandi & Billie Show, an independently produced podcast that has built a reputation for its “curious, fearless, and unfiltered” approach to politics, culture, and major world events. Against the backdrop of a red curtain in a modest studio, the two hosts returned to the microphone with a tone of urgency and clarity, reflecting a moment when public conversation continues to carry weight in Utah and beyond. Podcasts and YouTube channels have become increasingly prominent in shaping political dialogue, offering long-form formats that allow for extended discussion and direct engagement with audiences. Webb and Siciliani’s work reflects this broader trend, positioning independent creators as central figures in documenting and reframing civic discourse. Their episodes often move beyond commentary, engaging with questions of accountability and public consequence. In recent months, the hosts have devoted significant attention to investigating the fatal shooting of Charlie Kirk at Utah Valley University on September 10, 2025, during his American Comeback Tour. Their inquiry underscores the growing role of independent media in examining events that have left lasting marks on local and national political culture. The photographs documenting the November 22 session were taken by Charles‑McClintock Wilson together with his wife, Danielle Wilson. Their images capture both the expressive atmosphere of the recording and the symbolic weight of two voices navigating a shifting civic landscape.

On November 5, 2025, Dr. Ben Carson—former U.S. Secretary of Housing and Urban Development and 2016 Republican presidential candidate—visited Utah Valley University for a public interview hosted by the Gary R. Herbert Institute for Public Policy. Speaking under heightened security and solemn campus atmosphere, Carson addressed themes of civic responsibility, personal legacy, faith, and national unity. He emphasized the power of prayer and resilience in times of division, and honored the late Charlie Kirk, calling him “an incredible person” and “the antidote to radical leftism.” For Charles-McClintock Wilson, this marked the first time documenting a major political figure at UVU since the fatal shooting of Charlie Kirk on September 10, 2025, during his American Comeback Tour. The Carson interview signaled a quiet but resolute continuation of civic engagement at a campus still navigating grief, reflection, and institutional healing.

Each year on July 4th, the streets of Provo, Utah, come alive with color, sound, and community pride. As the centerpiece of America’s Freedom Festival, the Grand Parade draws thousands of spectators to witness a vibrant display of patriotism — with marching bands, restored military vehicles, costumed reenactors, floats, and local heroes. This series captures the atmosphere of the 2025 parade — moments of joy, remembrance, and shared identity — as experienced through the lens of photojournalist Charles-McClintock Wilson. These images pay tribute to the traditions, stories, and values that continue to define the American spirit.

From national monuments to cultural touchstones, this collection highlights iconic locations that shape local identity and reflect the spirit of place. Captured with honesty, context, and a documentary eye.

In the quiet aftermath of Charlie Kirk’s final public appearance at Utah Valley University, a spontaneous memorial unfolded—unannounced, uncurated, yet deeply intentional. This gallery documents the gestures left behind: folded flags, handwritten tributes, flowers placed with reverence. Each image captures not just grief, but the choreography of civic mourning. Through symbolic framing and editorial restraint, the sequence invites viewers to witness how public memory is shaped—not by spectacle, but by silence, dignity, and the objects we choose to leave behind.

On September 10, 2025, Utah Valley University hosted the opening stop of Charlie Kirk’s American Comeback Tour—a campus event designed to reignite civic engagement, youth mobilization, and direct discourse. These images document the atmosphere as it was intended: energized, expressive, and deeply personal. Every frame is presented as captured—unaltered, unembellished, and editorially authentic. Supporters gathered in red hats and bold slogans, staff coordinated logistics, and attendees arrived with curiosity and conviction. This sequence reflects the spirit of the event before the stage was taken—a visual record of presence, community, and the emotional clarity that defined the day.