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From national monuments to cultural touchstones, this collection highlights iconic locations that shape local identity and reflect the spirit of place. Captured with honesty, context, and a documentary eye.

In this series, Charles examines modern commerce through architectural forms—its signs, storefronts, and patterns that connect people to services, routines, and consumer culture.

This collection documents the architectural presence and symbolic resonance of civic institutions across the United States. From courthouses and city halls to universities, federal buildings, and public service signage—these images reflect the infrastructure of governance, education, and community identity. Through his lens, Charles-McClintock Wilson captures not only the facades and emblems of civic life, but the enduring narratives they represent: authority, access, memory, and belonging.

On October 18, 2025, demonstrators assembled across Salt Lake City, Utah—including the grounds of the Utah State Capitol—to reject the aesthetics of dominance and the symbolic drift toward executive spectacle. Though the protest targeted the presidency of Donald Trump, the phrase “No Kings” operated metaphorically, critiquing posture rather than lineage. Participants moved through civic corridors with measured choreography. Placards, chants, and silent gestures threaded a collective refusal of unchecked authority and personality-driven governance. The Capitol’s neoclassical architecture served as both backdrop and counterpoint—echoing the very hierarchies being challenged. This gallery documents the event with editorial restraint. Each image captures the perimeter of dissent—its symbols, its gestures, its quiet consequence. The coverage does not interpret. It witnesses. Images are presented without caption to preserve editorial neutrality and symbolic clarity.

On November 5, 2025, Dr. Ben Carson—former U.S. Secretary of Housing and Urban Development and 2016 Republican presidential candidate—visited Utah Valley University for a public interview hosted by the Gary R. Herbert Institute for Public Policy. Speaking under heightened security and solemn campus atmosphere, Carson addressed themes of civic responsibility, personal legacy, faith, and national unity. He emphasized the power of prayer and resilience in times of division, and honored the late Charlie Kirk, calling him “an incredible person” and “the antidote to radical leftism.” For Charles-McClintock Wilson, this marked the first time documenting a major political figure at UVU since the fatal shooting of Charlie Kirk on September 10, 2025, during his American Comeback Tour. The Carson interview signaled a quiet but resolute continuation of civic engagement at a campus still navigating grief, reflection, and institutional healing.

On September 15–16, 2025, the U.S. Department of Homeland Security hosted a career expo in Provo, Utah, drawing hundreds of applicants amid heightened national tension. Flush with nearly $30 billion in federal funding, ICE aimed to rapidly expand its workforce—offering signing bonuses up to $50,000 and student loan forgiveness up to $60,000. The event was part of a broader recruitment surge under President Donald Trump’s immigration crackdown. This visual sequence, captured by Charles‑McClintock Wilson, documents the exterior perimeter of the expo: DHS agents stationed outside the Utah Valley Convention Center, federal vehicles lining the streets, and the quiet choreography of institutional presence. While reporters were barred from entering the venue, these images offer a restrained yet symbolic view of how federal power performs visibility in civic space. Through editorial clarity and dignified framing, the sequence explores themes of surveillance, recruitment, and public memory—without spectacle. This is not just documentation. It’s legacy authored at the threshold of federal expansion.

Tucked in the mountains of Summit County, Smith & Morehouse Reservoir is a peaceful spot full of life and activity. I recently spent the day documenting the simple beauty of people enjoying summer — paddleboarding, kayaking, fishing, and soaking in the scenery. These are the kinds of quiet moments I love to capture: real, unposed, and full of story.

From quiet desert roads to mist-covered mountains, this collection captures the raw beauty and quiet power of the natural world. Through his lens, Charles explores landscapes both grand and intimate—inviting viewers to pause, breathe, and witness the stillness in between moments.

CONTENT ADVISORY THIS ARTICLE CONTAINS DOCUMENTARY IMAGES AND DESCRIPTIONS RELATED TO A FATAL PUBLIC INCIDENT. WHILE PRESENTED WITH EDITORIAL RESTRAINT AND JOURNALISTIC NEUTRALITY, SOME CONTENT MAY BE DISTRESSING TO VIEWERS. VIEWER DISCRETION IS ADVISED. On September 10, 2025, conservative activist Charlie Kirk was shot and fatally wounded during a scheduled public event at Utah Valley University in Orem, Utah. At the time of the incident, George Zinn was identified as the alleged shooter and taken into custody by campus security and local law enforcement. Zinn was later released and subsequently arrested on unrelated charges. The manhunt continued for 33 hours. On the evening of September 11, Tyler Robinson, a 22-year-old resident of Washington, Utah, was arrested without incident. The following day, Utah Governor Spencer Cox confirmed Robinson as the sole suspect in the shooting. This sequence documents the immediate aftermath: the initial arrest of Zinn, the evacuation of attendees, and Kirk’s transport to the hospital. The images are presented as a factual record of events that unfolded in real time. They reflect institutional response, public disruption, and the operational mechanics of law enforcement and emergency services. Considerable thought was given to the decision to publish these photographs. While some have already appeared in media outlets, this curated sequence is presented in the context of professional photojournalism and public documentation. The decision to release these images is grounded in the responsibility to bear witness, to provide accurate visual reporting, and to contribute to the public record. This sequence is not intended to dramatize or editorialize. It is offered with journalistic clarity and civic neutrality. The photographs reflect a moment of disruption and response—captured through the lens of a working photojournalist documenting events as they occurred. They are presented to inform, to contextualize, and to preserve the integrity of the historical record.

On December 8, 2025, the world premiere of DAVID was held at Megaplex Theatres Thanksgiving Point in Lehi, Utah. This gallery documents arrivals and attendees through editorial photography syndicated via ZUMA Press. DAVID is an animated biblical musical drama directed by Brent Dawes and Phil Cunningham, written by Dawes and Cunningham, and produced by Steve Pegram, Tim Keller, and Rita Mbanga. Conceived by Cunningham from childhood readings of David’s story in Africa and inspired by Acts 13:22 — “I have found in David, son of Jesse, a man after my own heart” — the film is Angel Studios’ first animated musical. Following the success of Jungle Beat, Cunningham and Sunrise Animation Studios announced the project in 2021, with Angel Studios co‑founder Jordan Harmon and actor Kirk Cameron rallying support through crowdfunding. To ensure authenticity, the creative team traveled to Israel, immersing themselves in landscapes and artifacts tied to David’s era — from pottery and a 3,000‑year‑old juglet used for oil, to explorations of Jerusalem, Hezekiah’s Tunnel, the Pool of Siloam, and the Valley of Elah where David faced Goliath. These journeys informed the film’s visual foundation, blending historical research with artistic storytelling. The voice cast includes Phil Wickham as David, Brandon Engman as Young David, Asim Chaudhry as King Achish, Mick Wingert as Zaydel, Lauren Daigle as Rebecca, and Brian Stivale as Samuel. With music composed by Joseph Trapanese, the film brings biblical narrative into a modern animated musical form. DAVID is scheduled to be released in theaters in the United States on December 19, 2025, by Angel Studios. The images presented here reflect a moment of shared presence and symbolic authorship, capturing the dignity of those who gathered to mark the film’s debut. (Credit Image: © Charles‑McClintock Wilson/ZUMA Press Wire)