Russell M. Nelson – Public Viewing – News

On November 5, 2025, Dr. Ben Carson—former U.S. Secretary of Housing and Urban Development and 2016 Republican presidential candidate—visited Utah Valley University for a public interview hosted by the Gary R. Herbert Institute for Public Policy. Speaking under heightened security and solemn campus atmosphere, Carson addressed themes of civic responsibility, personal legacy, faith, and national unity. He emphasized the power of prayer and resilience in times of division, and honored the late Charlie Kirk, calling him “an incredible person” and “the antidote to radical leftism.” For Charles-McClintock Wilson, this marked the first time documenting a major political figure at UVU since the fatal shooting of Charlie Kirk on September 10, 2025, during his American Comeback Tour. The Carson interview signaled a quiet but resolute continuation of civic engagement at a campus still navigating grief, reflection, and institutional healing.

Tucked in the mountains of Summit County, Smith & Morehouse Reservoir is a peaceful spot full of life and activity. I recently spent the day documenting the simple beauty of people enjoying summer — paddleboarding, kayaking, fishing, and soaking in the scenery. These are the kinds of quiet moments I love to capture: real, unposed, and full of story.

This collection highlights the presence, professionalism, and everyday reality of first responders across the United States. From police officers and their patrol vehicles to firefighters, paramedics, and ambulances in motion — these images document the quiet vigilance and urgent response of those who serve and protect. Through his lens, Charles-McClintock Wilson captures not only the symbols of public safety, but the people behind them.

On November 12, 2025, Utah Valley University hosted the Senators Modeling Civility forum, convened by the Gary R. Herbert Institute for Public Policy. The event took place at the Noorda Center for the Performing Arts Concert Hall at 3:00 p.m. MST and brought together students, faculty, and community members for a rare bipartisan exchange. Senators Mark Kelly (D–AZ) and John Curtis (R–UT) shared the stage in a 60‑minute dialogue moderated by CNN anchor Dana Bash, addressing themes of political violence, collaboration, and leadership. Following the forum, both senators engaged directly with the press in a designated media zone, reinforcing the event’s emphasis on transparency, accountability, and civic dialogue. Their press engagement included brief statements, informal exchanges, and moments of composure—gestures such as Kelly pausing to drink water and Curtis closing his eyes momentarily—which underscored the human dimension of institutional restraint. Executive Director Justin Jones of the Herbert Institute also joined press interactions, situating the forum within the university’s broader mission of fostering civil discourse. The program included an audience Q&A, strict security protocols with bag restrictions and metal detectors, and was exclusively streamed by CNN, underscoring its national significance. The discussion emphasized respectful civic engagement and institutional restraint in the wake of the September 10 assassination of conservative activist Charlie Kirk, situating the forum as both a local academic initiative and a national reflection on the urgency of civil discourse.

On September 15–16, 2025, the U.S. Department of Homeland Security hosted a career expo in Provo, Utah, drawing hundreds of applicants amid heightened national tension. Flush with nearly $30 billion in federal funding, ICE aimed to rapidly expand its workforce—offering signing bonuses up to $50,000 and student loan forgiveness up to $60,000. The event was part of a broader recruitment surge under President Donald Trump’s immigration crackdown. This visual sequence, captured by Charles‑McClintock Wilson, documents the exterior perimeter of the expo: DHS agents stationed outside the Utah Valley Convention Center, federal vehicles lining the streets, and the quiet choreography of institutional presence. While reporters were barred from entering the venue, these images offer a restrained yet symbolic view of how federal power performs visibility in civic space. Through editorial clarity and dignified framing, the sequence explores themes of surveillance, recruitment, and public memory—without spectacle. This is not just documentation. It’s legacy authored at the threshold of federal expansion.

At the heart of every image is a story. This series captures candid moments, quiet expressions, and everyday interactions—highlighting the resilience, emotion, and individuality of people in their environments.

CONTENT ADVISORY THIS ARTICLE CONTAINS DOCUMENTARY IMAGES AND DESCRIPTIONS RELATED TO A FATAL PUBLIC INCIDENT. WHILE PRESENTED WITH EDITORIAL RESTRAINT AND JOURNALISTIC NEUTRALITY, SOME CONTENT MAY BE DISTRESSING TO VIEWERS. VIEWER DISCRETION IS ADVISED. On September 10, 2025, conservative activist Charlie Kirk was shot and fatally wounded during a scheduled public event at Utah Valley University in Orem, Utah. At the time of the incident, George Zinn was identified as the alleged shooter and taken into custody by campus security and local law enforcement. Zinn was later released and subsequently arrested on unrelated charges. The manhunt continued for 33 hours. On the evening of September 11, Tyler Robinson, a 22-year-old resident of Washington, Utah, was arrested without incident. The following day, Utah Governor Spencer Cox confirmed Robinson as the sole suspect in the shooting. This sequence documents the immediate aftermath: the initial arrest of Zinn, the evacuation of attendees, and Kirk’s transport to the hospital. The images are presented as a factual record of events that unfolded in real time. They reflect institutional response, public disruption, and the operational mechanics of law enforcement and emergency services. Considerable thought was given to the decision to publish these photographs. While some have already appeared in media outlets, this curated sequence is presented in the context of professional photojournalism and public documentation. The decision to release these images is grounded in the responsibility to bear witness, to provide accurate visual reporting, and to contribute to the public record. This sequence is not intended to dramatize or editorialize. It is offered with journalistic clarity and civic neutrality. The photographs reflect a moment of disruption and response—captured through the lens of a working photojournalist documenting events as they occurred. They are presented to inform, to contextualize, and to preserve the integrity of the historical record.

SALT LAKE CITY, UTAH, USA — On November 22, 2025, Billie Webb and Brandi Siciliani recorded an episode of The Brandi & Billie Show, an independently produced podcast that has built a reputation for its “curious, fearless, and unfiltered” approach to politics, culture, and major world events. Against the backdrop of a red curtain in a modest studio, the two hosts returned to the microphone with a tone of urgency and clarity, reflecting a moment when public conversation continues to carry weight in Utah and beyond. Podcasts and YouTube channels have become increasingly prominent in shaping political dialogue, offering long-form formats that allow for extended discussion and direct engagement with audiences. Webb and Siciliani’s work reflects this broader trend, positioning independent creators as central figures in documenting and reframing civic discourse. Their episodes often move beyond commentary, engaging with questions of accountability and public consequence. In recent months, the hosts have devoted significant attention to investigating the fatal shooting of Charlie Kirk at Utah Valley University on September 10, 2025, during his American Comeback Tour. Their inquiry underscores the growing role of independent media in examining events that have left lasting marks on local and national political culture. The photographs documenting the November 22 session were taken by Charles‑McClintock Wilson together with his wife, Danielle Wilson. Their images capture both the expressive atmosphere of the recording and the symbolic weight of two voices navigating a shifting civic landscape.

In the quiet aftermath of Charlie Kirk’s final public appearance at Utah Valley University, a spontaneous memorial unfolded—unannounced, uncurated, yet deeply intentional. This gallery documents the gestures left behind: folded flags, handwritten tributes, flowers placed with reverence. Each image captures not just grief, but the choreography of civic mourning. Through symbolic framing and editorial restraint, the sequence invites viewers to witness how public memory is shaped—not by spectacle, but by silence, dignity, and the objects we choose to leave behind.

On September 10, 2025, Charlie Kirk appeared at Utah Valley University for a scheduled public event. These images document his final moments of engagement with supporters—captured just before the shooting incident that disrupted the gathering and reshaped its meaning. As a photojournalist, I approach this sequence with editorial clarity and symbolic intent. But I also recognize the human weight of what occurred. This post is not a spectacle—it is a record. And with it comes deep sympathy for Charlie Kirk’s family, his supporters, and the country navigating the aftermath of this tragedy. Charlie Kirk was a polarizing figure, but he was also a deeply committed one. He built a national movement by engaging young people, challenging institutions, and speaking with conviction. In these final frames, we see him doing what he did best—connecting directly with his audience, energizing a crowd, and standing firmly in his beliefs. The images reflect a moment of civic energy, personal conviction, and direct engagement. They are presented to honor the public memory of what came before, and to acknowledge the loss that followed.